Could the jumble of stuff we stick in our attics, garages, or storehouses be an expression of the personal museum? Aren't sentimental objects kept because of the story? Museums are attics of sentimental objects on a national, or at least more wide spread level. All we need for a personal, physical museum is a bit of organization. It would be interesting if a thing like that became popular, everyone visiting everyone else's museums.
On the down side, sharing your own museum like that is way too vulnerable. Just like in speech, you would have to have levels of openness, doors that only special keys can unlock, some doors that can only be opened by you. Of course the exhibit would rotate as you matured, some becoming more prominent, some only notable for being prominent at one time, some coming out of storage, shy and blinking in the sun, as other people view them for the first time, some hustled into the back, secret rooms with heavy cloaks concealing their features.
I suppose the opening exhibits wouldn't be much different from the opening conversations you have with visitors over the dinner table. Emily Tate, born 1989 to wealthy parents in Dublin, Ireland; went on to pursue career in cooking while at Dublin University for the Blind. Married John Holmes after graduating in 2012, had two children, Adam and Jessica Holmes. Basic opening stuff, not even worth the organization needed to create the exhibit. Is a visit to someone's house close enough to a museum visit to warrant making rooms of information about yourself? All the internal nervousness that comes with explaining yourself to a visitor would become external.
You would watch your visitors inspect your memories. No longer having to explain them out loud, you would feel awkward, apologetic, wondering if the close inspection your exhibit on learning how to make brownies from your mom was warranting was purely politeness. "And this next exhibit," you might suggest, "is significant, because it marked the turning point between following my mom's instructions, and making my own recipes." A low, short table, plastic and childish, something you found in your parents' basement, squats on the floor, a plate of warm brownies inviting your visitor to taste the result of your experimental cooking. You're pretty sure your visitor's resulting excitement is genuine.
I suppose the initial public accusation that such a museum would be arrogant is partially true. If you can make a museum of your life, while maintaing confidence in the excellence of your exhibits, it shows a great deal of naivety and pride. Very few people will want to or even be allowed to view all the important artifacts and stories of your life. But all the same, there's no harm in organizing the attic.
I like the example of the recipe....and these are all interesting thoughts! I'm not sure what would be in my museum. Probably not the things I wish were there. And how many defining moments are connected to an item? Hm. Could the wind be in my museum? Or C.S. Lewis? Can we resurrect the dead?
ReplyDeleteCAN we resurrect the dead? Interesting question, especially when we're talking about museums. Because isn't that what museums are all about? Resurrecting the dead?
ReplyDeleteThere are C. S. Lewis museums, Holocaust museums, even creation museums. The buildings contain deskfulls of pencils, and manuscripts, things actually touched, the molecules of grease from fingertips. A button for every life lost in concentration camps, a hall way of buttons, scattered letters to home, pictures, a man hunched over a shovel, his jagged tattoo dripping with sweat. A room of creatures, frozen in play, beautiful, the blueprint for the giraffe and the horse in one animal, naked mannequins half submerged in a pond. They were real once, remember, remember? When C. S. Lewis used to only be able to see God through a glass darkly? When millions of people lost everything but God? When the world was perfect, and beautiful, and God enjoyed hiking through our expansive gardens with us? See how God dealt with us here, and here, and here? Don't forget the people, don't forget the stories, don't forget what God did. Why walk through historical museums if you already know the ending? Why experience someone else's life?
The Lincoln museum recreates, in one building, Lincoln's birthplace, and his coffin. You get to walk along his timeline, hear what people said about him, what he said about himself. You see his clothes, and his documents, and his signature. Lincoln used to breathe, his hands were here, this is how ink, and photo-paper, and paint represent his face, and here, this mask, a plaster mold of his face. I've heard it said that you're never truly gone until you're forgotten.
Museums bring things back to life. Remember dinosaurs? Remember when injustice prevailed? Remember the man who wanted to see God?
Of course C. S. Lewis can be in your museum. Wind doesn't leave molecules behind, but fortunately wind doesn't require being brought back to life. Your tour can walk on top of the roof and experience it for themselves while flags scrawled with your poetry snap back and forth.
I love this last idea! Sounds like a concept for an art gallery, or a show!
ReplyDeleteSo remembering is the key to resurrection? Hm. A Romantic idea. I want to believe it, but I'm not sure if I do!
I hate "forgetting," because I feel a sense of loss for everything that will never happen exactly the same way again. But when I pull out boxes of diaries, and ticket stubs, and photos, and trinkets with secret meanings, I just remember more exactly what is dead. I really think we'll never stop losing until heaven.
What a fascinating topic; I wish my laptop was not about to die! :D
So what I want to know, is HOW does a museum bring things back to life? A museum is informative, and perhaps your memory, or your imagination is fresher when you leave, but what is being resurrected? Other than your consciousness? I'm taking you a little bit literally, but that's what you get for being a writer. :) And perhaps I'm a little bitter because I've never been able to bring anything back that is gone. My memory is good and my imagination is full; what am I missing then?
ReplyDeleteWell I don't suppose it actually DOES bring things to life, but it attempts to. The bittersweet taste of memories is a longing for what's lost. Until Heaven and Earth are united,
ReplyDeleteThere's three themes of the museum experience: memory (of joy), longing (for resurrection), and creative wonder ...or liberal learning I suppose, haha, that's the catchphrase in the Honors College.
We can't bring anything back, that's death, that's sin's curse, but we can remember life. Remembering wonderful things is never as good as having, but it's better than not having at all...that sounds romantic too, I'll need to think about the last statement more.